Skip to main content

The Paradox of Madame Crommelynck

  Madame Crommelynck is certainly one of Black Swan Green’s most interesting characters. Her dialogue is metaphor and allusion laden and her impact on Jason is profound as such. However, there’s a sort of irony in how she presents herself. 

One of the more notable conversations the two have is about truthfulness and beauty. Speaking to Jason about his poetry, Madame Crommelynck says “if an art is free of falseness, it is, a priori, beautiful.” She puts a huge emphasis on the fact that Jason needs to be truthful in his art.

Their weekly visits are soon cut short for a shocking reason, Madame Crommelynck is arrested. Her sudden departure makes her character quite paradoxical, after all how could she hide so much if she believed in truth? 

In another previous scene, she shows Jason a photograph of herself as a young girl. Jason doesn’t realize it’s her at first, Madame Crommelynck confirms it is saying “Yes. Whatever beauty is, I had it in those days. Or it had me.” While there’s a lot of meaning packed into this simple statement, I think it’s notable how she doesn’t consider herself beautiful now. Perhaps it’s because she’s not truthful to herself and others anymore?


Comments

  1. Madame Crommelynck is definitely one of the more unique characters in Black Swan Green. Not only does she give Jason mixed signals about the quality of his writing, she also leaves the narrative abruptly as you mentioned.

    ReplyDelete
  2. I like what you said about her appearance being somehow odd. The whole tone of the passage with her in it, accompanied with the fact that she's so different from everyone else that Jason knows made it such a compelling and pivotal passage. I think she offered advice to Jason that he couldn't have gotten anywhere else, and is a memorable and important character for that reason. Great post!

    ReplyDelete

Post a Comment

Popular posts from this blog

Catcher in the Rye: Holden’s Neurodivergence

  From the start it’s pretty clear to every reader that Holden Caufield is a bit different than everyone else. But why? Why does he view everyone as phony? Why doesn’t he try in school despite being smart? Why does he want to horse around so much? The answer? Holden probably has ADHD, which in the 1940s was never diagnosed in children. The fact that he’s unable to understand himself through the lenses of diagnosis definitely doesn’t help with his utter disillusionment and depression. In some respects, I saw a lot of myself in him. When most people think of ADHD they only think of hyperactivity, but other major symptoms include stuff like anxiety, daydreaming as well as many comorbid disorders like depression. One major aspect of Holden’s story is his refusal to do hardly any schoolwork and his subsequent failure at school. Holden never tries unless it’s English writing because it’s the one subject he genuinely enjoys and sees the point in. For that same reason, he’s able to wri...

Love’s Beginnings

In contrast with the blatant misogyny and objectification of women of women in the past couple books we’ve read, Zora Neale Hearston’s Their Eyes Were Watching God is refreshingly relatable. The ultimate theme involving Janie’s quest for love is not necessarily one only permeating the experiences of women, it’s prevalent for all people. Moreover, coming from a broken home, Janie’s confusion in discovering for herself what love and marriage truly are is familiar to me. Without the primary example within the family, there’s no real fundamental idea which shapes that understanding. For Janie, her grandmother and mother were both raped, far beyond her idealistic hopes for love and the closest she’s gotten to visualizing a marriage before she witnesses the pear tree as an epitome is in the idea that her father wanted to marry her mother, which is why he kept chasing her.  Furthermore, Janie is caught between balancing romantic and platonic love. As Nanny warned, Killicks and even St...