Skip to main content

Rejecting Victimhood


        Due to the split narration style of Their Eyes Were Watching God, we’ll often get multiple different perspectives to Janie’s story. However, in Chapter 17, much of the perspective we get is solely from the narrator and the people of the Muck and Tea Cake in their dialogue. Due to the fact that Janie experiences domestic violence for no good reason, it was incredibly odd that we never got even a glance into what she thought or felt in result of that. 

Supposedly, this is because of  the novel’s highly romantic nature. On the opening page the narrator says  “Now, women forget all those things they don’t want to remember, and remember everything they don’t want to forget. The dream is the truth. Then they act and do things accordingly.” (Hurston 1). Maybe we don’t get Janie’s view because she’s chosen to forget that part of her relationship with Tea Cake? That’s not the only time he’s unfairly and unjustly treated her, but perhaps the good times outweighed the bad because Janie refused to acknowledge those wrongs fully. 
After watching the documentary, Hurston’s formative principle of rejecting victimhood shined a new light on Janie’s story, especially as a woman. Unfortunately, domestic violence was too often part of women’s experiences in early 20th century America. Janie ultimately wants to live her life without wasting time on grievances. However, she also ends up seeming to not question something incredibly problematic. Perhaps she doesn’t want to misrepresent her own experience and viewpoint without being able to respond to her interlocutor actively, just as Janie tells her trustworthy and understanding friend Phoeby her story so she may pass it on when Janie can’t.

Comments

  1. I do think Janie doesn't like to focus on the bad things as much, as at the end she chooses to remember her times with Tea Cake rather than grieve over his loss. Maybe Janie didn't think to focus on Tea Cake hitting her because it was a normal thing at the time, so why complain about something that happens to everyone, especially because Tea Cake only did this once while other women probably got beat more often? (though i believe this kind of thinking is pretty problematic)

    ReplyDelete
  2. It's hard to pin down exactly whose perspective is reflected in this controversial passage--at times it even seems like Hurston the author is stepping in to make excuses for Tea Cake ("No brutal beating at all. He just slapped her around a little bit"). It's possible, perhaps, to read all of this as a reflection more or less of what Janie tells Phoeby (so she doesn't *dwell* on this scene, as you say, but she does mention it with a bit of a shrug, as part of the larger story about Mrs. Turner). We can contrast this "it wasn't really a big deal, he just wanted to send a message" to the way she (Janie) narrates Joe's domestic violence earlier, where it's a clear breaking point in their relationship, after which nothing is the same again ("something fell off the shelf inside her"). We get no "inside" to Janie here, as you say. And it is hard to attribute all of this to Janie's pov alone, as we later get scenes where Tea Cake is talking with the other men about the "message" he's apparently sent to Janie's would-be suitor.

    ReplyDelete

Post a Comment

Popular posts from this blog

Catcher in the Rye: Holden’s Neurodivergence

  From the start it’s pretty clear to every reader that Holden Caufield is a bit different than everyone else. But why? Why does he view everyone as phony? Why doesn’t he try in school despite being smart? Why does he want to horse around so much? The answer? Holden probably has ADHD, which in the 1940s was never diagnosed in children. The fact that he’s unable to understand himself through the lenses of diagnosis definitely doesn’t help with his utter disillusionment and depression. In some respects, I saw a lot of myself in him. When most people think of ADHD they only think of hyperactivity, but other major symptoms include stuff like anxiety, daydreaming as well as many comorbid disorders like depression. One major aspect of Holden’s story is his refusal to do hardly any schoolwork and his subsequent failure at school. Holden never tries unless it’s English writing because it’s the one subject he genuinely enjoys and sees the point in. For that same reason, he’s able to wri...

The Bell Jar: Esther’s Experience with Therapy

  TW// Suicide All in all, Esther’s experience with therapy was pretty bad (not only because it was the 1940s and ECT was bad and the only option usually!) Esther’s negative experiences with Dr. Gordon definitely led her to become more suicidal. He doesn’t do ECT correctly and she never really feels comfortable talking to him so they make no progress in their sessions.  The majority of those negative experiences stem from the fact that Esther is unable to “break up” with Dr. Gordon. This is an issue even today because it’s a common misconception that you can’t leave your therapist if you feel things aren’t working with them. When reflecting on Dr. Gordon Esther says he’d “tell me why I couldn't sleep and why I couldn't read and why I couldn't eat and why everything people did seemed so silly, because they only died in the end. And then, I thought, he would help me, step by step, to be myself again” (Plath 68). She was expecting their time together to go much, much differe...

The Paradox of Madame Crommelynck

  Madame Crommelynck is certainly one of Black Swan Green’s most interesting characters. Her dialogue is metaphor and allusion laden and her impact on Jason is profound as such. However, there’s a sort of irony in how she presents herself.  One of the more notable conversations the two have is about truthfulness and beauty. Speaking to Jason about his poetry, Madame Crommelynck says “if an art is free of falseness, it is, a priori, beautiful.” She puts a huge emphasis on the fact that Jason needs to be truthful in his art. Their weekly visits are soon cut short for a shocking reason, Madame Crommelynck is arrested. Her sudden departure makes her character quite paradoxical, after all how could she hide so much if she believed in truth?  In another previous scene, she shows Jason a photograph of herself as a young girl. Jason doesn’t realize it’s her at first, Madame Crommelynck confirms it is saying “Yes. Whatever beauty is, I had it in those days. Or it had me.”...